Editing editing editing… Angela James, Before you hit send

 Today editing feels like this.

Do you ever feel like you’ll never finish?

Writing is a passion, my hobby. Some days I want to write all day. When I do, I miss painting and feel guilty, because painting is my workhorse. I’m an unpublished writer and a query virgin. I’ve been writing for years. Everyday I read editor and writer blogs.

I wrote three memoirs and put them in a drawer. Each time I was finished, I told myself I’d never write again. Then I started writing flash fiction. Now I’m finishing a suspense called White Sky of Paris. I’ll tell you more about the 400 page manuscript soon enough, when I start to query it.

Last month I took Angela James’s Before You Hit Send on-line self-editing workshop. She’s the editorial director of Harlequin’s Carina Press.

In the course, Angela offers over thirty info-packed lessons starting from the basics. The lessons build up from basic tricks in microsoft Word to formatting, grammar, dialog tags, POV, author voice and a lot more. Anyone who wants to write better fiction will benefit from her course. What’s great is that you can work at your own speed and it’s very reasonably priced.

I love the way she presents the course.  Not as rules for writers but things to keep in mind while writing. Clearly, those suggestions are from a queen of editing experience. One thing Angela said about editing a book is that it shouldn’t take years. 

I learned so much from her course, and how to apply it to my writing, that now the snowball I’m pushing is going somewhere and it’s not getting bigger.  

Dear Artist, Carré d’artistes is a win-win

Brooksby © 2015
Cabbie Cabbie – Brooksby © 2015 36×36 cm, oil on canvas, available at Carré d’artistes

First of all let me tell you a short history of my artistic development. I studied at the Maryland Institute College of Art, the same place Jeff Koons went to. After getting a BFA in sculpture in 1988, I moved to Italy and worked as a street artist. I painted and sold in Piazza Pitti, Piazza Santa Croce and Piazzale Michelangelo. That’s were I learned to paint and also were I learned a LOT about life. I learned how to mass produce paintings and I knew I was going to get the hell out of there. Street vending is a school of life. Not for the faint of heart.

In 2006, I moved to Paris for personal reasons and walked around the city. I happened across Carré d’artistes gallery on rue Saint André des Arts. I thought about sending them an application but didn’t. That was before they opened the EXPO on the same street. Then, my gallerist from Nantucket introduced me to the manager who opened the first Carré d’artistes gallery in the Marais. I still didn’t apply.

Some years went by and I was contacted by Carré on the internet, I don’t remember how they contacted me. Later, I was at the Bastille (in Paris) for the GMAC — the Grand Marché d’Art Contemporain, and Deborah came to my stand. She was the artistic director at the time. She asked me if I would like to work with Carré d’artistes. I said I’d think about it, but I didn’t apply. After working as a street artist in Florence for years making tiny paintings, I knew I could do it but I wanted to make large paintings and Carré didn’t offer the opportunity to exhibit large formats. Other galleries contacted me, I exhibited. Met agents. My paintings sold on auction.

Again, I was contacted via email, again I ignored the invitation.

The next year at the GMAC, Deborah came to my stand and asked if I might like to work with them. (I’m sure she met several artists, not only me.) I hesitated. She told me to talk to Daniel Castan, and other artists who were at the GMAC. She left my stand. I went to Castan and the other artists, and asked them how it was to work with Carré d’artistes.

Every single artist had ONLY positive things to say about them. So, I sent an application. The way it used to be. Four paintings. With a check. To the headquarters.

They accepted my application and I received my first order. Forty paintings in 60 days. That was in 2013. Since then I’ve painted close to 400 paintings for them and they’ve sold lots.

Last year, my paintings were selected for their website and I was offered an exhibition in at the large format gallery on rue Saint André des Arts in Paris. The show ran from January to April 2015. Then a few weeks ago I had a dédicace at the Lille gallery on rue Esquermoise with the adorable Céline Jacob. The show didn’t go as planned because of a technical problem but it was a fantastic success.

Every single person I’ve dealt with from Carré d’artistes, has been kind. They are professional. They give contracts. They pay. They follow up. They are innovative and they are expanding. Take a look at their website. How many galleries are expanding like they are? How many businesses let alone galleries are expanding? Is there really a crisis in the art market or are “traditional” galleries using an archaic business plan?

When I decided to work with them, I had a talk with myself. I didn’t know if I wanted to work with a corporation and not the individual. I wasn’t sure if I wanted to continue painting small works. I am so happy I applied. Thank you Daniel Castan for telling me, “What are you waiting for?”

No one has asked me to write this post. Now I’ve got to get back to my easel.

welcome to my new blog and website

To celebrate the first post on my brand new blog incorporated into my brand new wordpress website, I’m posting one of my all time favorite paintings.

I don’t know who bought the Oliera e Limone or what country it went to. I sold it years ago when I had my studio gallery in Florence, Italy. The Italian food series was lots of fun. They sold faster than I could paint them. At the time, I called them kitchen paintings.

food paintings
Brooskby ©2000