Today is the equinox. Summer is officially over. In Paris today the wind is strong and feels like ocean air. It’s a clearing wind that brings a feeling of change.
And talk about change. In July I left for vacation after preparing many oils for the Carred’artists gallery in Amsterdam. I’d sent off my last shipment and went to the beach for the first time in 2 years.
If you are looking for these Amsterdam paintings do not go to the Amsterdam Gallery to find my them. Contact Carré d’artistes directly here. (opens in new window)
He loves to land on my paintbrushes when I’m painting. Then he likes to drop onto my palette where all the oil paints are mixed. It’s more like dive bombing.
One day he swiped his tail in cadmium orange. I had to catch him, no easy feat. And clean him with marseilles soap. I was worried he’d die of cadmium poisoning because a large gob was on his tongue from trying to clean his tail. Luckily he didn’t seemed bothered. He is a pest. But so much fun.
Want to see these paintings in person? They are coming soon Carré d’Artistes® gallery in Amsterdam.
Soon my paintings will be at the Carré d’Artistes® gallery in Amsterdam. These are a sneak peek of the first forty.
It’s a fun challenge to paint a new subject, a new city.
City reflections were my inspiration when I painted the Arno river many years ago, that seems like a different life, when I lived in Florence. Cats have nine lives, I wonder how many lives artists have. Every new subject feels like a new chapter.
I never imagined that I might paint Amsterdam, or exhibit there. It’s a blessing to work with such great people who believe in me and showcase my work in their galleries.
How do you get to show in all theses places? Paint, paint, paint. Be jealous of your time and creative space. Carve your own path through life.
2016 was an excellent year for me. Despite the craziness on the planet I painted circa 350 paintings. Read and listened to 83 audio books. Sculpted and decorated my manga eyes. And painted those four mannequins that pinched a nerve in my back.
In April I had a show with Carré d’artistes in their Saint Germain gallery with excellent sales. Then in November my paintings were at the Luxembourg Art Fair.
In August I began painting landscapes of the American Southwest. These paintings sell faster than I can make them.
For some time I’d wanted to liberate my technique, to go abstract. Painting the red rock formations and big skies , was the ticket.
It’s true that to master your craft you need to produce a massive quantity of work and to stay concentrated.
The result is this final painting for 2016. Up close the details are abstract, the use of the palette knife apparent. Step back and it blends beautifully. It looks hyper-real.